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CHAPTER XXXV UP CHAPTER XXXVII CHAPTER XXXVI The Glory and the Dream 第36章 栄光と夢(松本訳) On the morning when the final results of all the examinations were to be posted on the bulletin board at Queen s, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you ll win one of them anyhow," said Jane, who couldn t understand how the faculty could be so unfair as to order it otherwise. 「who couldn t understand how the faculty could be so unfair as to order it otherwise」(たぶん、とても英語的な表現だから、なのだと思いますが)とても難しい。仮定法過去として解釈するほうがいいと思います。なので……、「ほかの順位づけをするなどというフェアではないことを、教授陣ができるなんて、ジェーンには理解できなかった(ので、そのようなことはないと信じていた)」直訳するとこんな感じでしょうか "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I m not going to march up to that bulletin board and look at it before everybody. I haven t the moral courage. I m going straight to the girls dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. 「in the name of our old friendship」big words ではない?神の御名において(in the name of God (Heaven))を思い出すのですが If I have failed just say so, without trying to break it gently; and whatever you do DON T sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen s they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out "Three cheers for Miss Shirley, winner of the Avery!" 「Three cheers」何と3回言うのでしょう? このあたり、経験がないとわからない "Oh, Anne," gasped Jane, as they fled to the girls dressing room amid hearty cheers. "Oh, Anne I m so proud! Isn t it splendid?" 「splendid」この章では、連発されるコトバ And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane "Oh, won t Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. 「The exercises」これは練習ではなく、『式』のこと Addresses were given, 「Addresses」(公式の)あいさつ。住所ではない essays read, songs sung, the public award of diplomas, prizes and medals made. 「essays read」論文が読み上げられる。日本ではあまりないようですが、英米ではあるような印象があります。具体例は出せませんが 「diplomas」 卒業証書。ここでは、大学の卒業である、Bachelor(学士)ではない。下のほうも参考に Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, 「a tall girl in pale green」 背が高くなったのです。そして、この緑のドレスはマリラが持たせてくれたもの(one evening she went up to the east gable with her arms full of a delicate pale green material.-中略-The green dress was made up with as many tucks and frills and shirrings as Emily s taste permitted. CHAPTER XXXIV with impression A Queen s Girl with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner. "Reckon you re glad we kept her, Marilla?" whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It s not the first time I ve been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren t you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. 「that evening」説明はありませんが、汽車で帰ったのではないでしょうか。馬車は時間がかかるので She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. 「apple blossomls」りんごの花。この物語では、大切なときにはりんごの花が近くにあるときがある。CHAPTER VIII with impression? Anne s Bringing-up Is Begun では、グリーンゲイブルズに置いてもらえることになったアンはマリラと話すときには、アンが枝を折ってもってきたりんごの花がテーブルに生けてあった。なお、汽車で帰ったのなら、この日、White Way of Delight 歓びの白い路(松本訳)(CHAPTER II with impression Matthew Cuthbert is surprised )は通っていないのではないかと思います Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, 「Marilla had set a flowering house rose on the window sill」マリラも変わった。または、アンが花を好きだったのを知っているので、帰宅を大歓迎する気持ちの表れと考えるのがいいのかも。何せ、CHAPTER VIII with impression? Anne s Bringing-up Is Begun では、アンが部屋にりんごの花を持っていっていいかと尋ねたら、"No; you don t want your room cluttered up with flowers. You should have left them on the tree in the first place." と撥ねつけたのですから Anne looked about her and drew a long breath of happiness. "Oh, Diana, it s so good to be back again. It s so good to see those pointed firs coming out against the pink sky-- and that white orchard and the old Snow Queen. 「old Snow Queen」この old は、古いというよりは、親しみを表わしていると考えるのがいいでしょう。マシューもマリラも年を取ったとの話題が出てくるので、雪の女王さまも年を取ったというのでもいいのですが Isn t the breath of the mint delicious? And that tea rose--why, it s a song and a hope and a prayer all in one. And it s GOOD to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were INFATUATED with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. 「the faded "June lilies" of her bouquet」卒業式に花束をもらったのでしょう。faded というのがそれを表わしているのではないでしょうか "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I ve so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I m tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You ve done splendidly, Anne. I suppose you won t be teaching now that you ve won the Avery?" "No. I m going to Redmond in September. Doesn t it seem wonderful? I ll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn t it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can t afford to send him to college next year, 「His father can t afford to send him to college next year」前章(CHAPTER XXXV with impression The Winter at Queen s)のジョージーの「My father can afford to send me」が思い起こされる after all, so he means to earn his own way through. I expect he ll get the school here if Miss Ames decides to leave." 「Miss Ames」ステイシー先生の後任も女の先生。ステイシー先生の評価は決して低いものではなかったようです。何せ、アヴォンリーでははじめての女性教師で(The trustees have hired a new teacher and it s a lady. Her name is Miss Muriel Stacy. -中略- they ve never had a female teacher in Avonlea before... CHAPTER XXII with impression? Anne is Invited Out to Tea )、批判の目に曝らされていたはずですから。 Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? 「coeducational college」共学の大学。高等教育は、まだ、女性には開かれていない場合が多かった時代 「a real degree in prospect」本当の学位を取ろうと、といった感じでしょうか。この degree は、アンにとってはBA(文学士)。モードは取れなかったもの、である The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn t," said Marilla in a troubled tone. "He s had some real bad spells with his heart this spring and he won t spare himself a mite. I ve been real worried about him, but he s some better this while back and we ve got a good hired man, so I m hoping he ll kind of rest and pick up. Maybe he will now you re home. You always cheer him up." Anne leaned across the table and took Marilla s face in her hands. "You are not looking as well yourself as I d like to see you, Marilla. You look tired. I m afraid you ve been working too hard. You must take a rest, now that I m home. I m just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. 「Marilla smiled affectionately at her girl」マリラの表情がとてもよくなったのがここで好意的に描かれている "It s not the work--it s my head. I ve got a pain so often now--behind my eyes. Doctor Spencer s been fussing with glasses, but they don t do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I ll have to. I can t read or sew with any comfort now. Well, Anne, you ve done real well at Queen s I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn t believe in the higher education of women at all; she says it unfits them for woman s true sphere. I don t believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, 「the Savings Bank」貯蓄銀行、と訳すことはできますが、ほかの銀行との違いがよくわからない。文脈から安全性が高そうなのはわかりますが。ウィキペディアを読んではみたものの、よくわかりませんでした but old Mr. Abbey was a great friend of father s and he d always banked with him. 「he d always banked with him」主語の he は father、him は old Mr. Abbey。逆?? エイゴの代名詞は難しい Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." 「his nephews」複数形なので、アベイ銀行の経営に携わっている甥はひとりではない "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he d think of it. But Mr. Russell told him yesterday that the bank was all right." 「Mr. Russell」この人は誰? ここにしか出てこない Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad s Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. こういう、日常が凝縮された日だからこそ、忘れ難い日となる "You ve been working too hard today, Matthew," she said reproachfully. "Why won t you take things easier?" "Well now, I can t seem to," said Matthew, as he opened the yard gate to let the cows through. "It s only that I m getting old, Anne, and keep forgetting it. Well, well, I ve always worked pretty hard and I d rather drop in harness." 「drop in harness」 drop:命を失う、in harness:執務中に。drop in:立ち寄る、ではない "If I had been the boy you sent for," said Anne wistfully, "I d be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I d rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that-- rather than a dozen boys. Well now, I guess it wasn t a boy that took the Avery scholarship, was it? 「it wasn t a boy」この it は a boy を指す。ここでは形式主語ともいえるかもしれませんが、すぐ後の「It was a girl」の It は主語。代名詞は、応用的な使い方になると難しい It was a girl--my girl--my girl that I m proud of." マシューは、アンを褒めるのは、はっきり口に出して伝えている。CHAPTER XXV with impression? Matthew Insists on Puffed Sleeves では、"Well now, I was proud of her and I did tell her so fore she went upstairs," said Matthew. こういう会話(手をたたかれて、話をされる)をしているので、アンにとって「She never forgot that day」となる。ちょっとわかりやすい演出ですが He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. 「Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope.」アンがマシューに連れられ、ブライトリバー駅からはじめてグリーンゲイブルズに行くとき、馬車の上からふたりが見た/聞いた光景が思い出される描写。この演出はニクい。CHAPTER II with impression Matthew Cuthbert is surprised では、From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond -(ごっそり)中略- At last they (アンの eyes) lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. こときは月ではなく、星ですが Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXV UP CHAPTER XXXVII 04 August 2007 今日 - | 昨日 - | Total - since 04 August 2007 last update 2007-08-04 18 16 15 (Sat)
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Page to note down the important notes from the discussions in class. discussion from Jan. 22 2008 discussion from Jan. 29 2008 I moved the Language topics to "Language Barriers" page. Jin discussion from Jan. 31 2008 Time management issues The ICU students don t have the time to get in touch with one another because of time. As in Courtney s point of view compared with UCSD students, ICU students tend to use their lack of time as an excuse to avoid certain social situations. (why avoid those situations? An answer may be found in the "relation issues" discussion.) Not only the mentalities about time making, but Physical difficulties, such as lack of transportation causes these problems for ICU students. As the last train for the Chuo-line is earlier than that of Yamanote line, and the last bus from ICU leaves before 12pm, they cannot hold parties till midnight. Also, since ICU is in urban areas, we are not allowed to come to school by car, so therefore, time restrictions will be very severe for us. (In UCSD, most of the students have cars unless they live really near the campus) 実家通いThere are many people who "commute" from their home. Almost half of the students of ICU are from Tokyo area, and therefore, there are lots of students who s living far away from ICU with their parents. This physical distance causes some trouble too. JIn Relationship issues Is today s discussion the critical approach ? I also think that Japanse style for making friends is stressful. However, this is Japanese style. This style(and this Japanse society) is based on, made by most? many? Japanese this sense of value. Japanese change this Japanese sense of value style to California style (everyone is friends.). This is not solution. Everybody likes this style? This is not. ICU students also cannot change it. If ICU students change their style for making friends (California style) in ICU, they would not work at Japanese company or Japanese society. I think what is important is knowing own style and other style. Both should be recognized. For example, When I meet コートニー first time, I think "she come from California, so her style may be directly making friends style ." At the same time, コートニー thinks that "Miki is Japanese, so she may contact with me with MAAINOTUMEKATA style." By knowing each otehr style, there would prevent being a misunderstanding little bit. Thinking about each other style is intercultual communication, right? In solution,We should not say they should change . We should not deny something. Denying leads opposition. We may say the ways to make friends are different, so let s know many ways to make friends, and then ・・・ (What can we say? let s use the way properly ?) I thought this yesterday. I am very very sorry too long? Can you understand my English sentences? Miki Ok, Miki, I understand your I idea about not denying someone s styles. An good intercultural communication can t be established if one side denies the other culture. Just as Ms. Waslewski said in the previous lecture, what we need to do must be "mutual understanding 相互理解" to each other s culture. (Is this what you wanted to say, Miki?) Jin Yes, it is! And, what can we do for 相互理解? Hi, this is Masumi. I was looking for wiki in moogle...too bad moogle wiki thing isn t working -/ I appreciate Jin for creating wiki! Yay *applause* I read the discussion briefly. Thank you thank you! We also talked about what we should say for the conclusion, right? So we concluded that... (or I my thought?) (rough conclusion) *relax, don t stress yourself out *we need to be open *we shouldn t think too much (about the future, what to do for the new friend, etc) *don t worry about "hi-bye" friends, (lol) you can talk to them someday *go with the flow? *don t be afraid? Okay, I m sorry...I have more to say, but I need to write up an essay for another group project ( ) I have 3 group projects. But from 2/5, I ll be free of other 2 projects, so I can focus on this. I apologize what I m saying is kinda messy. I ll think about "相互理解", too. It s about the wasy to "understand each other", right? Important topic. Masumi i finally read everything and added a new page about inital meetings....sorry i didnt have the info about this site until this weekend! -- courtney (2008-02-04 17 10 46) 名前 コメント Woww!!! You have 3groap projects, don t you!? Take sleep time!!! Just brifly. The conclutions which you wrote are advices for Japanese, right? I think we need to advices for non-Japanes.(but, I do not know...) *Japanes have own step by step style for making friends, so understand it.(Most? Japanese must think more friends.) *Talk to Japanese actively. or ~. Miki And, we will meet on out of class, won t you? Will we decide time on Tuesday class? discussion from Feb. 5 2008 American can speak anybody. (ex During waitnig airplan) Japanese tend to not. ↓ How to stop conversation? (→’Oh, I an gonit to listen music, now. and something) American stlye bowling (can get some points from converstaion) Japanse style table tennis American argueing is just arguind. They do not mind what other people think. Japanese political, region, baseball× dry or wet concept Edit this page
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シンボル シンボルの発見場所とパズルの内容は関係ない。発見した順番に従ってパズルの内容が決まる。 シンボルパズル1.全ての始まり 2.64の四角形 3.末裔 4.無限の知識 5.権力の道具 6.兄弟 7.探し続ければ見つからん 8.殉教者たち 9.ハットトリック 10.アポロ 11.発明家 12.業界の巨人 13.今の私は 死 そのもの。諸世界の破壊者だ 14.血脈 15.守護者たち 16.騎兵 17.地下バンカー 18.シナプス 19.第四日目 20.種の起源 質問用フォーム シンボルネタバレ シンボルパズル 1.全ての始まり 10枚の絵の中から5枚、正解の絵を選ぶ +答え 上の段 左から3番目、5番目 下の段 左から1番目、2番目、4番目 2.64の四角形 絵柄を回してあわせるだけ 3.末裔 3枚の画像の特定の箇所にカーソルを合わせる +答え 1枚目 真ん中に座っている人物の左手の先辺り 2枚目 逆さ釣りになっている人物の頭付近 3枚目 中央の人物が持ってる棒状の物(写真中央あたり) 4.無限の知識 3.末裔と同様、特定の箇所にカーソルを合わせる +答え 1枚目 兵士が持っている武器の銃口 2枚目 奥にいる兵士の頭付近 3枚目 写真中央付近 4枚目 右上にいるの鬼が持っている炎のような物 5.権力の道具 1.全ての始まりと同様5枚の絵を選ぶ +答え 左上の絵から右へ順に1,2,3,4・・・とすると 1回目 2,3,6,8,9 2回目 3,6,8,9,10 6.兄弟 2.64の四角形と同様に絵柄を回して合わせる。 ただし、一部が同時に動く為難易度は上がっている。 解く際はどの絵柄が連動して動くかを考えながらわせれば時間はかかるかもしれないが解けると思われる。 +答え 1枚目と3枚目は微妙に違います。手順通り動かした後、外側から微調整をかけることで正解にたどり着くことが出来ます。 1枚目 一番内側を反時計回りに2回 内側から2つ目を反時計回りに3回 内側から4つ目を反時計回りに1回 一番外を時計回りに3回 内側から3つ目を反時計回りに5回 2枚目 内側から4つ目を反時計回りに4回 一番内側を反時計回りに3回 内側から2つ目を反時計回りに3回 内側から3つ目を反時計回りに1回 一番外側を時計回りに1回 3枚目 内側から4つ目を反時計回りに5回 一番内側を反時計回りに3回 内側から2つ目を反時計回りに3回 内側から3つ目を時計回りに1回 一番外側を反時計回りに1回 4枚目 一番外側を反時計回りに2回 内側から4つ目を反時計回りに2回 内側から3つ目を時計回りに1回 内側から2つ目を時計回りに6回 一番内側を時計回りに3回 7.探し続ければ見つからん 手順1 5枚の絵を選ぶ +答え 左上の絵から右へ順に1,2,3,4・・・とすると 1,2,3,5,6 手順2 特定の箇所にカーソルを合わせる +答え 人物の右下あたりにある黄色い部分を選択 8.殉教者たち 手順1 2枚の画像の特定範囲にカーソルを合わせる +答え 1枚目 杓杖 2枚目 剣 手順2 炎と肖像画を移動させる 9.ハットトリック 手順1 間違い探し +答え 1枚目 男性の胸の辺り 2枚目 中央の男性の胸の辺り 手順2 パスワード入力 画面にある6=1をヒントにしてダイヤルを回すと正解がわかる。 +答え 答え 312 10.アポロ 手順1 +答え 写真の隠された答え探し 黒い部分の左下辺りの衛星を探す。 手順2 +答え パズル 中心の白い枠と同じ形になる様に赤い枠を回転させる。 白い枠の部分には、赤い枠の全てをピッタリ同じ様に合わせる。 そして隙間は隙間が全て空くようにする。 手順1を終えた後 一瞬に近いが、何回かお手本が出てる事に注目。 それぞれ動かせる枠は連動している部分があり 順番に A.2枠目 B.3枠目-5枠目-7枠目 C.2枠目-6枠目 D.6枠目-7枠目 E.2枠目-9枠目 として、初期位置がAで左スティックを上に1度動かすと、Bとなる。 パネルを回す時は左スティックを、左か右かに動かす事で回転できる。 Bを左に4回、Cを左に2回、Dを右に3回、Cを左に3回、Eを左に6回、Aを左に4回。 手順3 +答え 写真の隠された答え探し 宇宙飛行士と旗の間、下側を探す。 となっている。 11.発明家 +答え 2枚目建物中央の窓らへん 3枚目中央奥男性の胸 12.業界の巨人 ① 左下の白い紙に4=1と書いてあるので、ダイヤルで赤色の4を白色の1に合わせる。 +答え 2,4,0 ② 間違い探し。 +答え 右の人の手にある電球。 ③ まず左の写真の車の「2」、左下の新聞の「||・・」を見つけて、ダイヤル2を「||・・」に合わせる。 次にダイヤルの記号の法則性を考える。よく見ると三進法で「・・・」を「|」で表している事がわかる。 ダイヤル5からスタートして、ダイヤル5「・=1」、ダイヤル6「・・=2」以下同様に-4する。 以上より、パスワードは1,3,9からそれぞれ-4した数字、つまり7、9、5を表す記号。 +答え ||・、|||、|・・。 13.今の私は 死 そのもの。諸世界の破壊者だ ① まず左と左下の写真から9、△を見つけ、ダイヤル9を△に合わせる。 次にダイヤルの記号の法則性を考える。これはフィボナッチ数列で、ある項は前2つの項を足したものである。たとえば△+△L=△△L、□+○=□○。 以上より、パスワードは5,2,9に対応する記号、つまり□+□○、○□-□、(△)の答えである。 +答え ○□□、○、△。 ② 間違い探し。 +答え 左下と下の間。 14.血脈 「神」と「神ではない生き物」が交わっている宗教画を選ぶ。 +答え 左上から右下に向かって1234567890と順番を振ると、14670。 15.守護者たち 連動ダイヤル式の絵合わせ。 内側から5番目(いちばん外側)のリング(2番目のリングと連動)を右へ5回 内側から3番目のリング(4番目と連動)を右へ2回 内側から4番目のリング(1番目と連動)を右へ5回 内側から2番目のリングを左へ5回 内側から1番目と5番目のリングを左へ1回 16.騎兵 カーソルをTunguskaに合わせるだけ。超簡単。 17.地下バンカー ① 難問。まず左下の写真から「 」の記号を読み取る。次に画面中央の写真の間にぼんやり見える「4」を見つける。これらによりダイヤルの4と を対応させる。 次にダイヤルの記号の法則性を考える。良く観察すると、3の○は角が0個、4の は角が1個、5のZは2個、6のMは3個…という風になっている。 以上より、パスワードは7,9,1に対応する記号、つまり角が4個、6個、8個ある記号。 +答え 万年筆のペン先型、蝶ネクタイ型、二重ひし形。 ② 間違い探し。 +答え 右上の屋根の白い部分にアサシン教団の記号がある。 18.シナプス ① 超難問。記号はシュメール語で、 が10、Tが1を表している。 まず、右下の写真から「5」と「T」を読み取る。これによりダイヤルの5とTを対応させる。 次にダイヤルの記号の法則性を考える。ダイヤル5,6,7,8,9,0,1,2,3,4に対応するシュメール語は数字に置きかえると 1,3,9,11,12,空白,20,25,空白,35 である。 ここで真ん中の写真に書いてある式 T+2+6+2+1+5+3+5+6+4 に注目する。画面の改行は意味は無い。この式の項を先頭から1つずつ足して数列を作る。すると T=1, T+2=3, T+2+6=9, T+2+6+2=11, T+2+6+2+1=12,… まとめると1,3,9,11,12,17,20,25,31,35 となり、これはダイヤルの数列そのものである。つまり、ダイヤル5→記号1、ダイヤル6→記号3・・と結び付けられる。 以上より、パスワードはダイヤル6,0,3に対応する記号、つまりシュメール語で3,17,31を表す記号である。 +答え TTT、 TTTTTTT、 T。 ② カーソルを操作して脳細胞を青くするだけ。 19.第四日目 ① かつて 崇拝されていた 太陽 、つまり太陽に関する宗教の中で、今ではマイナーとなったものを選ぶ。 +答え 左上から右下に向かって1234567890と順番を振ると、23589。 ② 音を頼りに間違い探し。 20.種の起源 ① ダイヤル式の絵合わせ。連動しているリングがかなり多い。 +回答例 1)内側から 5番目 のリング(3番目に連動)を 2回左 に回す 2) 4番目 のリングを 2回左 に回す 3) 3番目 のリング(1番目に連動)を 2回右 に回す 4) 2番目 のリングを 5回右 に回す 5) 1番目 のリング(5番目に連動)を 3回左 に回す ② ①で作った絵を使って、音を頼りに間違い探し。 ③ 「真理は存在せず、許されない事など無い」 +... ⇔「正解は無い。どんな答えを入れてもOK」 ④ 果実を動かして猿人の骨を人間の骨に変える。 質問用フォーム シナプスは初見無理だろw シュメール語とか知らねーw - カミノン 2017-12-31 10 22 02 18なんか絶対無理だろ - 名無しさん (2018-04-21 20 27 48) アサシンクリードⅡの情報 - エツィオ (2018-05-20 17 13 53) アサシンクリードⅡ:「隠された真実の情報」 - エツィオ (2018-05-20 17 17 30) 俺は、アサシンだぁ俺の物語だぁ(エデンのリンゴ:テンプル騎士:アサシン団) - デスモンド・マイルズ (2018-05-20 17 22 04) 俺は、アサシンだぁ俺の物語だぁ(エデンのリンゴ:テンプル騎士団:アサシン) - デスモンド・マイルズ - デスモンド・マイルズ (2018-05-20 17 27 06) 俺は、アサシンだぁ俺の物語だぁ(エデンのリンゴ:テンプル騎士団:アサシン) デスモンド・マイルズ - アサシンクリードⅡ (2018-05-20 17 29 27) シンボル残した16号すごい!! - アルタイル (2018-10-16 23 20 42) シンボルマークの場所を書いておいて欲しかった - 名無しさん (2019-01-16 14 09 16) ストレスしかたまらねえくず問題ヒントもくず - 名無しさん (2020-11-05 03 20 48) 名前 シンボルネタバレ
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調査楽曲数 101 太字はシングルA面曲 詳細版データ→こちら 三代目JSB名義の曲(ソロ含む)と三代目JSBのアルバムに収録されている曲のみ記載 ソロ名義の楽曲はRYUJI IMAICHI HIROOMI TOSAKAを参照 EXILE TRIBEでの参加曲はEXILE TRIBEを参照 基礎知識 音階の見方 例:粉雪の「こな~~」がhiA、Lemonの「あの日の悲しみさえ」がmid2F#、残酷な天使のテーゼの「まどべからやがて飛び立つ」がhiC。 カラオケにおいて:当ページの表通りの音階で歌いたいなら端末で「原曲キー送信」をしなければならない(でなければ一部の楽曲で勝手にキーが変えられる)。またキー変更をする場合、音階は半音単位で変わる。例えばhiBの音はキーを3つ下げるとhiB→hiA#→hiA→mid2G#となる。 用語 地低 地声の最低音。 地高 地声の最高音。裏声と判別しにくい場合(シャウト等)、便宜上こちらで表記する。 裏低 裏声の最低音。 裏高 裏声の最高音。 Fake地高 地声の歌詞カードに無い部分(Ah~~~、Woo~~~等)の最高音。 Fake裏高 裏声の〃の最高音。 あ行 か行 さ行 た行 な行 は行 ま行 や行 ら行 わ行 あ行 タイトル 地低 地高 裏低 裏高 備考 I Can Do It mid1F hiA# - - サビでmid2G#連発 Unfair World mid1F# hiA mid2E hiB サビでhiA頻出 Eeny, meeny, miny, moe! mid1D hiA mid2D hiC Cメロのフェイクで裏声hiDラスサビの上ハモで裏声hiE Yes we are mid1B hiB mid2F# hiB Waking Me Up mid1D hiA - - サビでmid2G連発 Wedding Bell 〜素晴らしきかな人生〜 mid1C# hiA mid2F# hiA# Welcome to TOKYO mid1A# hiA# - - hiA#はサビで2回ずつ使用mid1A#はラップ中にフォールする部分 X-RAY mid1D# hiA# mid2G# hiC 最低音はELLYパート Over Over mid1E mid2G - - 今市ソロ曲アウトロのフェイクで裏hiB Always mid1D# mid2F# mid2F hiA# All LOVE mid1D hiA# mid2G hiC# 今市ソロ曲転調でキー+1 O.R.I.O.N. mid1E hiB mid2G# hiF# サビでhiB、hiA頻出ラスサビのフェイクで裏声hiE On The Road〜夢の途中〜 mid1D hiA hiA hiA On Your Mark〜ヒカリのキセキ〜 mid1A hiA hiA hiC アウトロのフェイクで裏声hiDAメロでmid1C頻出 か行 タイトル 地低 地高 裏低 裏高 備考 風の中、歩き出す mid1A hiA hiA hiA Kiss You Tonight mid2A hiA mid2G hiB hiAが終始頻出 KICK SLIDE mid2A hiC mid2D hiD 地声hiCは2番サビの今市パートラスサビのフェイクで裏声hiE 君となら mid1F mid2G# mid2G# hiA# フェイクで裏声hiD 君の瞳に恋してる-Can't Take My Eyes Off You- mid1D# mid2G# hiA hiB フォー・シーズンズのフランキー・ヴァリのカバー曲 銀河鉄道999(三代目 J Soul Brothers Ver.) mid1D# mid2G mid2G mid2G ゴダイゴのカバー曲キーはEXILEカバー版と同じく原曲から-1 Glory mid1C hiC hiA hiB hiCはサビ前で使用裏声はCメロのみ 恋と愛 mid1C hiA mid2G hiC Go my way mid1F# hiB mid2G# hiC# 地声hiBは計12回 GOLDEN mid1D hiA# mid2G# hiA# C.O.S.M.O.S.~秋桜~ mid1A# hiA# hiA hiD CメロでhiA連発 この宇宙の片隅で mid1C hiB mid2G hiE 最高音はラスサビ今市パート さ行 タイトル 地低 地高 裏低 裏高 備考 最後のサクラ mid1D hiA# mid2G mid2G SOUTHSIDE mid1A# mid2G# mid2G hiC# S.A.K.U.R.A. lowF# hiB mid2C# hiE lowF#はAメロのエフェクトがかかった部分 Summer Dreams Come True mid1D hiA - - Summer Madness mid1D hiA hiA hiA# 裏声は2番Aメロのみ Share The Love mid1B hiB hiA hiC# 登坂ソロ曲hiBはBメロ、裏hiC#はサビのしゃくり部分サビ中の裏声は裏mid2C#~裏hiC# JSB IN BLACK mid1C# hiA# hiA# hiD# 最低音はELLYパート J.S.B. DREAM mid1C# hiB hiC# hiC# ラスサビ前のフェイクで裏hiEのロングトーンと裏hiF# J.S.B. HAPPINESS mid1E hiB hiA hiB ラスサビのフェイクで裏hiD JSB Blue mid1F hiA# - - BメロやサビでhiA#のロングトーン J.S.B. LOVE mid1E hiB hiB hiE サビでhiA連発と締めに裏hiEのロングトーン地声hiBはサビ締めの「J.S.B. LOVE」の部分(今市のみ) GENERATION mid1D hiA hiA hiB 二代目JSBの「GENERATION」に、登坂・今市が加わった楽曲フェイクで地声hiAのロングトーン(SHOKICHI) Japanese Soul Brothers mid1C hiC mid2G hiC 二代目JSBとコラボ地声hiCは2番サビとラスサビの締めで使用2番Aメロ前に地声hiCのロングトーン(今市)イントロで地声hiA#のロングトーン(SHOKICHI) SCARLET mid1D hiA mid2F# hiA STARS mid1C hiA hiA hiC starting over mid1E hiA# mid2F# hiC ラスサビの転調でキー+1 STORM RIDERS mid1G hiE mid2G hiD CメロのシャウトでhiAからhiEまで上昇それ以外の最高音はhiA# スノードーム mid1D mid2G mid2G hiA# フェイクで地声hiA SPARK mid1F# mid2G# mid2F# hiC# VII CROWNS mid1B hiC# hiC# hiC# 地声hiC#はラストの今市パート 線香花火 mid1F mid2G# mid2C# hiC# SO RIGHT mid1C# hiA mid2F# hiB サビでmid2G#連発 空に住む〜Living in your sky〜 mid1C# hiA# mid2F hiA# た行 タイトル 地低 地高 裏低 裏高 備考 TURNING BACK mid1G hiA mid2G hiD 裏声hiDはサビで1回ずつ Dynamite mid1D# hiA hiA hiA 旅立つ前に mid1C# hiA mid2F# hiA CHAIN BREAKER mid1D# hiA# mid2F# hiC# 登坂ソロ曲地声hiA#はサビで2回ずつ使用 次の時代へ mid1C# mid2G# mid2F# hiC# DEEP INSIDE mid1B hiA mid2G# hiB サビでmid2G#連発 24karats STAY GOLD(EXILE feat. 三代目 J Soul Brothers) mid1F hiA mid2F hiD EXILE、DOBERMAN INCとコラボフェイクで裏声hiD、地声hiA#(ATSUSHI)地声hiA#(NESMITH、今市) 24karats TRIBE OF GOLD mid1E hiB mid2G hiB EXILE、DOBERMAN INCとコラボフェイクで裏声hiE(ATSUSHI)地声hiB(SHOKICHI、今市) 東京 mid1G hiA# mid2G hiA TONIGHT mid1A# hiB mid2F# hiA# 最低音はELLYパート T.T.T.(Top to Toe) mid1F# hiA - - サビはほぼmid2F#、mid2G、hiAのみ Dream Girl mid1D# mid2F# mid2D# hiB サビのオク上で裏hiF#サビのフェイクで地声mid2G#、アウトロのフェイクで裏hiC# な行 タイトル 地低 地高 裏低 裏高 備考 NEW WORLD mid1G hiB hiA hiB 地声hiBはラスサビで1回、裏hiBはサビで1回ずつ使用mid2G、hiAが終始頻出 は行 タイトル 地低 地高 裏低 裏高 備考 BURNING UP mid1F hiA# - - GENERATIONSとコラボ、hiA#は計14回 BURNING UP-三代目 J Soul Brothers version- mid1F hiA# - - 通常版とは2番AメロとCメロのメロディーラインが違う Higher mid1G# hiB mid2G# hiB 地声hiBは計4回 Powder Snow ~永遠に終わらない冬~ mid1C# mid2G# hiA# hiC# Back in Love Again mid1F hiA# mid2G# hiC# HAPPY mid1G# mid2G# mid2F# hiB 終始mid2G#頻出ラスサビのフェイクで裏hiC# 花歌 ~Flowers for you~ mid1D hiA mid2D hiA# 花火 mid1D# mid2G# mid2D# hiA# Honey mid1B hiA - - 最低音はELLYパート 100 SEASONS mid1D# hiC mid2D# hiD# 地声hiCはラスサビで1回 Be alright mid1E hiB hiA hiB 地声hiBは計7回 Beautiful Life mid1G hiA# mid2G hiC イントロとラスサビのフェイクで裏hiD FIRE mid1A# hiA# フェイクで裏声hiD# 1st Place mid1G mid2G - - フェイクで地声hiA FIGHTERS mid1F# hiA - - サビでmid2F#超連発ラスサビのフェイクで地声hiB Feel The Soul mid1A hiA mid2G hiA Feel So Alive mid1F hiA# hiF hiF サビはmid2C、mid2D#、mid2F、裏声hiFのみhiA#はBメロで2回ずつ使用 FIELD OF DREAMS mid1F mid2G# mid2G# hiC サビのフェイクで裏声hiD#サビの上ハモで地声hiC# FOREVER YOUNG AT HEART mid1D hiB mid2G hiB 今市ソロ曲地声hiBはサビで2回ずつ使用 Forever Together mid1B hiA mid2F# hiB サビでhiA、mid2G#頻出 BRIGHT mid1D# hiA# mid2G hiA# ラスサビのフェイクで裏声hiC PRIDE mid1C hiA mid2G hiC ライブではラスサビの今市パートの2回目のhiAがhiCになる FLAP YOUR WINGS mid1G mid2G - - フェイクで地声hiA BREAK OF DAWN mid1D hiA mid2G hiA イントロ等のフェイクで裏声hiCラスサビのフェイクで地声hiC Best Friend's Girl mid1D# mid2F# mid2F# mid2G# FUTURE mid1D mid2F - - Born in the EXILE mid1A hiA mid2F# hiB 冬空 mid1A# mid2G# mid2F# hiC# 冬物語 mid1D# hiB mid2F# hiC# 1番と2番で裏声になる箇所が変わる1番サビの地声最高音はhiA#、2番はhiB 蛍 mid1A# hiC mid2G hiC 地声hiCは2番サビとラスサビで1回ずつ使用 White Wings mid1C hiA mid2G hiA ま行 タイトル 地低 地高 裏低 裏高 備考 Movin' on mid1D hiA hiA hiB フェイクで地声hiB MUGEN ROAD mid1E hiB - - hiBはサビで4回ずつ、計16回使用 や行 タイトル 地低 地高 裏低 裏高 備考 (YOU SHINE)THE WORLD mid1E hiA mid2B hiA サビでmid2G#頻出 ら行 タイトル 地低 地高 裏低 裏高 備考 RISING SOUL mid1G hiC mid2G hiC Rat-tat-tat mid2A mid2E - - LOVE SONG mid1E mid2G# - - Love changes everything mid1C hiA# mid2G hiB リフレイン mid1D mid2G# mid2E hiB ラスサビの転調でキー+1サビで裏hiAが頻出(転調後はhiA#) REPLAY lowF# hiA - - ラスサビの裏声シャウトでhihiB Link mid1D# hiA# mid2G hiA# 登坂ソロ曲 R.Y.U.S.E.I. mid1D# hiA# mid2G# hiC ラスサビ前のフェイクで裏声hiD# Lose Control mid1D mid2G - - LOOK @ US NOW! mid1C hiC - - hiCはCメロで1回 RAISE THE FLAG mid1D hiA hiD hiD 最低音はELLYパート RAINBOW mid2A# mid2G mid2D# hiC LET'S PARTY mid1D# hiA# mid2G# hiA# ラスサビのフェイクで地声hiC、裏声hiFCメロのオク上で裏声hiD# 関連ページ RYUJI IMAICHI / HIROOMI TOSAKA / EXILE TRIBE / EXILE / J SOUL BROTHERS 外部リンク 検索用文字列
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Shoes, Shoes, Shoes Andy WarholR. Seth Bright? Andy Warhol Giant Size Phaidon Editors?Steven Bluttal?Dave Hickey? Andy Warhol Women Journal Andy Warhol Andy Warhol - Cats Calendar 2007 Andy Warhol Fashion Simon DoonanChronicle BooksAndy Warhol Andy Warhol Pop Box Fame, the Factory the Father of American Pop Art Andy Warhol Museum Cats, Cats, Cats Andy Warhol Andy Warhol (Getting to Know the World's Greatest Artists) Mike Venezia? Andy Warhol Drawings and Illustrations of the 1950s Andy Warhol Strange Messenger The Work of Patti Smith Patti Smith?David Greenberg?John W. Smith? 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Andy Warhol's Diaries Pat Hackett? 100 Great Artists A Visual Journey from Fra Angelico to Andy Warhol Charlotte Gerlings? Andy Warhol's Party Book Andy WarholPat Hackett? Andy Warhol's Serial Photography (Contemporary Artists and Their Critics) William V. Ganis? Andy Warhol (Artists in Their Time) Linda Bolton? Andy Warhol (Artists in Their Time) Linda Bolton? The Life and Death of Andy Warhol Victor Bockris? The Life and Death of Andy Warhol Victor Bockris? Andy Warhol Rodley C? Loner at the Ball The Life of Andy Warhol Fred Lawrence Guiles? Famous For 15 Minutes My Years With Andy Warhol Ultra Violet? Andy Warhol A Penguin Life (Penguin Lives) Wayne Koestenbaum? Diaries Andy Warhol Exposures Andy Warhol Twenty-five Cats Named Sam and One Blue Pussy Andy Warhol Andy Warhol In His Own Words (In Their Own Words) Mike Wrenn?Andy Warhol Popism Andy WarholPat Hackett? Stargazer Andy Warhol's World and His Films Stephen Koch? Stargazer Andy Warhol's World and His Films (Calderbooks) Stephen Koch? Stargazer The Life, World and Films of Andy Warhol Stephen Koch? Andy Warhol Catalogue Raisonee Paintings and Sculpture, 1961-1963 Georg Frei?Neil Printz? Andy Warhol Catalogue Raisonne Paintings and Sculptures, 1964-69 (Andy Warhol Catalogue Raisonne) Neil Printz?Georg Frei? A Year in the Life of Andy Warhol David McCabe?David Dalton? Andy Warhol Wayne Koestenbaum?Arthur Addison? Andy Warhol Ingrid Schaffner? Andy Warhol (Artists in Their World) Linda Bolton? Andy Warhol Trewin Copplestone? A Andy Warhol Andy Warhol Wayne Koestenbaum? The Life and Works of Andy Warhol (Life and Works Series) Trewin Copplestone?Alexa Stace?Tucker Slingby?Jennifer Warner? Andy Warhol Pioneer of Pop Art (People to Know) Carin T. Ford?Andy Warhol Andy Warhol The Life of an Artist (Artist Biographies) Carin T. Ford?Andy Warhol Andy Warhol (Thorndike Press Large Print Biography Series) Wayne Koestenbaum? I'll Be Your Mirror The Selected Andy Warhol Interviews 1962-1987 Wayne Kostenbaum?Kenneth Goldsmith?Reva Wolf? Andy Warhol (Universe of Art) Andy WarholPhilippe Tretiack? I Shot Andy Warhol Mary Harron?Daniel Minahan? A A Novel Andy Warhol Reconstructing Pop/Subculture Art, Rock, and Andy Warhol Van M. Cagle? Reconstructing Pop/Subculture Art, Rock, and Andy Warhol Van M. Cagle? The Andy Warhol Collection, April 23-May 3, 1988 Sold for the Benefit of the Andy Warhol Foundation for the Visual Arts John L. Marion?Andy WarholAndy Warhol Foundation for the Visual Arts?Sotheby s? Cookie Time With Vintage Cookie Jars from the Andy Warhol Collection Marilyn Miller Wasbotten?Robert Tardio? Andy Warhol Ten Lizes (Masters of Arts Series) Frannette Guerin-Fermigier?Richard Nicolas? I Bought Andy Warhol Richard Polsky? Warhol (Great Modern Masters) Andy WarholJose Maria Faerna?Alberto Curotto? Andy Warhol Pop Art Painter Susan Goldman Rubin? Andy Warhol (Essentials) Ingrid Schaffner? Andy Warhol A Retrospective Kynaston McShine? Andy Warhol Men (Andy Warhol) Alan Cumming? Andy Warhol's Colors Susan Goldman Rubin?Andy Warhol Holy Terror Andy Warhol Close Up Bob Colacello? Holy Terror Andy Warhol Close Up Bob Colacello? Holy Terror Andy Warhol Close-Up Bob Colacello? America Andy Warhol Popism Andy WarholPat Hackett? Nadarwarhol, Paris - New York Photography and Fame Gordon Baldwin?Felix Nadar?Andy WarholJudith Keller? Popism The Warhol '60s Andy WarholPat Hackett? Famous for Fifteen Minutes My Years With Andy Warhol Isabelle Dufresne?Ultra Violet? Popism The Warhol '60s Andy Warhol Andy Warhol (October Files) Annette Michelson? Andy Warhol, Poetry, and Gossip in the 1960s Reva Wolf? Andy Warhol, Poetry and Gossip in the 1960s Reva Wolf? The Critical Response to Andy Warhol (Critical Responses in Arts and Letters) Alan R. Pratt? Andy Warhol (October Files, 2) Andy WarholAnnette Michelson?Benjamin H. D. Buchloh? Andy Warhol (Picturebacks S) Peter Gidal? Andy Warhol (Lives) Wayne Koestenbaum? Andy Warhol Series and Singles Georg Frei?Peter Gidal?Edward Sanders?Ernst Beyeler? Andy Warhol Films and Paintings The Factory Years Peter Gidal? Andy Warhol The Factory Years, 1964-1967 Nat Finkelstein? Andy Warhol Nat Finkelstein? Diaries Andy Warhol Andy Warhol (Beginner's Guide) Geoff Nicholson? Vanishing Animals Andy WarholKurt Benirschke? Andy Warhol (Getting to Know the World's Greatest Artists) Mike Venezia? Andy Warhol Prince of Pop (Bccb Blue Ribbon Nonfiction Book Award (Awards)) Jan Greenberg?Sandra Jordan? Andy Warhol Prince of Pop Jan Greenberg?Sandra Jordan? Famous for 15 Minutes My Years With Andy Warhol Ultra Violet? 25 Cats Name Sam and One Blue Pussy and Holy Cats by Andy Warhol's Mother Andy Warhol If Andy Warhol Had A Girlfriend Alison Pace? Andy Warhol Men Andy WarholA. Cumming? Andy Warhol, Portraits of the 70s Andy Warhol Andy Warhol Rainer Crone? Warhol A Personal Photographic Memoir Christopher Makos? The Andy Warhol Diaries Pat Hackett?Andy Warhol Andy Warhol Andy WarholSimon Doonan Andy Warhol 365 Takes The Staff of The Andy Warhol Museum? Andy Warhol Portraits of the Seventies and Eighties Andy WarholHenry Geldzahler?Robert Rosenblum? Andy Warhol 1928-1987 Commerce into Art (Basic Art) Klaus Honnef? Andy Warhol / Andy Warhol (Memoria / Memory) Philippe Tretiack? Andy Warhol David Bailey? From A to B and Back Again Andy Warhol The Desire and Pursuit of the Whole W.H. Auden?Frederick William Rolfe?Andy Warhol Andy Warhol a Factory Andy Warhol The Philosophy of Andy Warhol (Penguin Modern Classics) Andy Warhol A A Novel Andy Warhol Andy Warhol Happy Hour Brian Docherty? Andy Warhol Cats "I Shot Andy Warhol" Mary Harron? Andy Warhol's Religious and Ethnic Roots The Carpatho-Rusyn Influence on His Art (Studies in Art and Religious Interpretation, 20) Raymond M. Herbenick? Andy Warhol Andy Warhol Andy Warhol (Lifelines) Claudia Bauer?Elizabeth Clegg? 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Andy Warhol Yellow Cat Andy Warhol Pink Cat Andy Warhol - Queen Elizabeth II Andy Warhol Yellow Cat Andy Warhol Cats Andy Warhol - Cats Cats, Cats, Cats Andy Warhol Andy Warhol Flowers Andy Warhol Cats Andy Warhol - Poinsettias Raid the Icebox One With Andy Warhol Daniel Robbins?David Bourdon? Andy Warhol Retrospektiv Zdenek Felix?Tilman Osterwold? Andy Warhol. Watercolour Katzen, Katzen, Katzen Andy Warhol Andy Warhol Andy Warhol Film Factory Michael O Pray? Frohe Weihnachten Andy Warhol Andy Warhol 2001 Andy Warhol Angels, Angels, Angels Andy Warhol Schuhe, Schuhe, Schuhe Andy Warhol
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ああ、兄弟!3 imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Brother - Ⅲ.jpg) ああ、兄弟!3概要 ミッション攻略 概要 樽に入って滝から落ち、大けがを負った兄弟はこれまでの自分たちの意地の張り合いがいかにばからしいものだったかを思い知る。 ミッション攻略 ああ、兄弟!2クリア後カンバーランド滝に行く。 二人の兄弟は滝の上で意地の張り合いをしていた。樽に入り滝に落ちどちらが優れているのかを検証しようと言い出した。 樽を押せ 特になし。 ヘレンと共に下流を目指せ 馬に乗り下流を目指す。黄色のマーカー。 ムービーへ。 前へああ、兄弟!2
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